Difference between revisions of "Lustfaust"

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'''Lustfaust''' is a musical project created by artists Mike Harte, Euan Rodger, [[Jamie Shovlin]], and [[Murray S Ward]], though other musicians played with them, including Eleanor Mills.
+
'''Lustfaust''' is a musical project created by artists Mike Harte, Euan Rodger, Jamie Shovlin, and Murray S Ward, though other musicians played with them, including Eleanor Mills.
  
The project was originally introduced as a collection of material created by and relating to a 1970s German [[glam rock]] band, whose memorabilia were notably featured in the [[Beck's Futures]] exhibition in 2006,<ref>{{cite web
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The project was originally introduced as a collection of material created by and relating to a 1970s German glam rock band, whose memorabilia were notably featured in the Beck's Futures exhibition in 2006.
|url        = http://comment.independent.co.uk/columnists_a_l/david_lister/article362338.ece
 
|author      = Lister, David
 
|title      = You couldn't make it up - but they do
 
|publisher  = ''[[The Independent]]''
 
|date        = 2006-05-06
 
|accessdate  = 2007-07-16
 
|deadurl    = yes
 
|archiveurl  = https://web.archive.org/web/20070927201329/http://comment.independent.co.uk/columnists_a_l/david_lister/article362338.ece
 
|archivedate = 2007-09-27
 
|df          =
 
}}</ref>  and which deceived ''[[Sunday Times]]'' cultural commentator [[Waldemar Januszczak]] into running an article describing their claimed activities in giving away free copies of their music to fans. Januszczak went so far as to tip the collection for the [[Beck's Futures]] prize.<ref>{{cite web
 
| url = http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/article698383.ece
 
| author= Januszczak, Waldemar
 
| title = Beck's Futures
 
| publisher = ''[[The Sunday Times]]''
 
| date = 2006-04-02
 
| accessdate = 2007-07-16}}</ref>
 
  
The exhibit was eventually runner up for the prize after Lustfaust were revealed as a fabrication, set within a combination of fictional and actual histories. Shovlin had previously gained notoriety by setting up an exhibition of art that was claimed to have been produced by a 13-year-old missing schoolgirl called [[Naomi V. Jelish]].<ref>{{cite web
+
* http://comment.independent.co.uk/columnists_a_l/david_lister/article362338.ece
| url = http://arts.guardian.co.uk/news/story/0,,1258210,00.html
+
* You couldn't make it up - but they do
| title = Forging ahead
 
| publisher = ''[[The Guardian]]''
 
| date = 2004-07-10
 
| accessdate = 2007-07-16}}</ref>
 
  
The work has been praised for the depth of its deception — the artists set up fake web sites about the band and added it to [[English Wikipedia]],<ref>{{cite web
+
This deceived ''Sunday Times'' cultural commentator Waldemar Januszczak into running an article describing their claimed activities in giving away free copies of their music to fans. Januszczak went so far as to tip the collection for the Beck's Futures prize.
| url = https://query.nytimes.com/gst/fullpage.html?res=9A01EED8173FF932A15754C0A9609C8B63
 
| author= Smith, Roberta
 
| title =  Art in Review; Lustfaust -- A Folk Anthology, 1976-1981
 
| publisher = ''[[The New York Times]]''
 
| date = 2006-07-21
 
| accessdate = 2007-07-16}}</ref> assembled photographs and chronologies for their tours, recorded an interview with the band's "German-Belgian frontman", and even recorded excerpts of music which were attributed to them. The deception was so deep that some viewers actually boasted of having seen the band live.<ref>{{cite web
 
| url = http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/visual_arts/article1955829.ece
 
| author=Whitworth, Damian
 
| title = Jamie Shovlin: A Dream Deferred at Haunch of Venison
 
| publisher = ''[[The Times]]''
 
| date = 2007-06-23
 
| accessdate = 2007-07-16}}</ref> This was in spite of deliberate clues which had been included in the exhibition, such as notes describing the band as veering "dangerously close to [[Spinal Tap (band)|Spinal Tap]]-isms" and "an [[Obscurantism|obscurantist's]] dream".<ref>{{cite web
 
|url        = http://arts.independent.co.uk/music/features/article361157.ece
 
|author      = Jones, Alice
 
|title      = It's only mock 'n' roll but we like it
 
|publisher  = ''[[The Independent]]''
 
|date        = 2006-05-01
 
|accessdate  = 2007-07-16
 
|deadurl    = yes
 
|archiveurl  = https://web.archive.org/web/20070930155538/http://arts.independent.co.uk/music/features/article361157.ece
 
|archivedate = 2007-09-30
 
|df          =
 
}}</ref>
 
  
One person who guessed at the exhibition's nature was ''[[The Times]]'' art critic [[Rachel Campbell-Johnston]]. Four days before Januszczak's piece was published, she praised the collection, but cautioned "Don’t be surprised if the entire band is a fabrication — down to its references on internet sites."<ref>{{cite web
+
* http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/article698383.ece
| url = http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/article697935.ece
+
* author = Januszczak, Waldemar
| author= Campbell Johnston, Rachel
+
title = Beck's Futures
| title = Beck's Futures
 
| publisher = ''[[The Times]]''
 
| date = 2006-03-29
 
| accessdate = 2007-07-16}}</ref>
 
  
In 2007, Lustfaust began to perform live shows across Europe in numerous cities. Featuring a loose and revolving collection of musicians, by 2011 they had performed at a broad range of venues including the [[Institute of Contemporary Arts]] London, Museo Madre Napoli, Teatro Eliseo Roma and [[The Big Chill (music festival)|The Big Chill]] Festival.
+
The exhibit was eventually runner up for the prize after Lustfaust were revealed as a fabrication, set within a combination of fictional and actual histories. Shovlin had previously gained notoriety by setting up an exhibition of art that was claimed to have been produced by a 13-year-old missing schoolgirl called Naomi V. Jelish.
  
== References ==
+
* http://arts.guardian.co.uk/news/story/0,,1258210,00.html
 +
* title = Forging ahead
 +
 
 +
The work has been praised for the depth of its deception — the artists set up fake web sites about the band and added it to English Wikipedia,
 +
 
 +
* https://query.nytimes.com/gst/fullpage.html?res=9A01EED8173FF932A15754C0A9609C8B63
 +
* author= Smith, Roberta
 +
*  title =   Art in Review; Lustfaust -- A Folk Anthology, 1976-1981
 +
 
 +
These assembled photographs and chronologies for their tours, recorded an interview with the band's "German-Belgian frontman", and even recorded excerpts of music which were attributed to them. The deception was so deep that some viewers actually boasted of having seen the band live.
 +
 
 +
* http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/visual_arts/article1955829.ece
 +
* author Whitworth, Damian
 +
* title = Jamie Shovlin: A Dream Deferred at Haunch of Venison
 +
 
 +
This was in spite of deliberate clues which had been included in the exhibition, such as notes describing the band as veering "dangerously close to Spinal Tap-isms" and "an obscurantist's dream".
 +
 
 +
* http://arts.independent.co.uk/music/features/article361157.ece
 +
* author = Jones, Alice
 +
* It's only mock 'n' roll but we like it
 +
 
 +
One person who guessed at the exhibition's nature was ''The Times'' art critic Rachel Campbell-Johnston. Four days before Januszczak's piece was published, she praised the collection, but cautioned "Don’t be surprised if the entire band is a fabrication — down to its references on internet sites."
 +
 
 +
* http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/article697935.ece
 +
* author= Campbell Johnston, Rachel
 +
 
 +
In 2007, Lustfaust began to perform live shows across Europe in numerous cities. Featuring a loose and revolving collection of musicians, by 2011 they had performed at a broad range of venues including the Institute of Contemporary Arts London, Museo Madre Napoli, Teatro Eliseo Roma and The Big Chill Festival.
  
{{reflist}}
 
  
 
== External links ==
 
== External links ==
Line 75: Line 52:
 
* [https://web.archive.org/web/20110106213416/http://www.bigchill.net/news/2008/04/lustfaust/ Lustfaust at The Big Chill]
 
* [https://web.archive.org/web/20110106213416/http://www.bigchill.net/news/2008/04/lustfaust/ Lustfaust at The Big Chill]
  
[[Category:Musical hoaxes]]
+
 
 
[[Category:Nonexistent people used in hoaxes]]
 
[[Category:Nonexistent people used in hoaxes]]
[[Category:Internet hoaxes]]
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[[Category:Music]]
[[Category:Hoaxes in the United Kingdom]]
 
[[Category:2006 in the United Kingdom]]
 
[[Category:2006 hoaxes]]
 

Latest revision as of 04:35, 16 June 2018

Lustfaust is a musical project created by artists Mike Harte, Euan Rodger, Jamie Shovlin, and Murray S Ward, though other musicians played with them, including Eleanor Mills.

The project was originally introduced as a collection of material created by and relating to a 1970s German glam rock band, whose memorabilia were notably featured in the Beck's Futures exhibition in 2006.

This deceived Sunday Times cultural commentator Waldemar Januszczak into running an article describing their claimed activities in giving away free copies of their music to fans. Januszczak went so far as to tip the collection for the Beck's Futures prize.

The exhibit was eventually runner up for the prize after Lustfaust were revealed as a fabrication, set within a combination of fictional and actual histories. Shovlin had previously gained notoriety by setting up an exhibition of art that was claimed to have been produced by a 13-year-old missing schoolgirl called Naomi V. Jelish.

The work has been praised for the depth of its deception — the artists set up fake web sites about the band and added it to English Wikipedia,

These assembled photographs and chronologies for their tours, recorded an interview with the band's "German-Belgian frontman", and even recorded excerpts of music which were attributed to them. The deception was so deep that some viewers actually boasted of having seen the band live.

This was in spite of deliberate clues which had been included in the exhibition, such as notes describing the band as veering "dangerously close to Spinal Tap-isms" and "an obscurantist's dream".

One person who guessed at the exhibition's nature was The Times art critic Rachel Campbell-Johnston. Four days before Januszczak's piece was published, she praised the collection, but cautioned "Don’t be surprised if the entire band is a fabrication — down to its references on internet sites."

In 2007, Lustfaust began to perform live shows across Europe in numerous cities. Featuring a loose and revolving collection of musicians, by 2011 they had performed at a broad range of venues including the Institute of Contemporary Arts London, Museo Madre Napoli, Teatro Eliseo Roma and The Big Chill Festival.


External links